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2005-2006
Blood! Love! Madness!
directed
by
Brent Hinkley
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CAST
THE RAZOR written by Kichizo Nakamura
| Noguchi, a County Official
|
Chris Schultz |
| Tamekichi, a Barber |
Silas Weir Mitchell |
| Oshika, his Wife |
Kaili Hollister |
| Kanshichi, a Rich Merchant's |
Josh Zeller |
| Sato, a Grade School Principal
|
Steven M. Porter* |
| Okada, a Minister of the Interior
|
Simon Anthony* |
THE MADMAN ON THE ROOF written by
Kan Kikuchi
| Yoshitaro, the Madman |
Sienna McCandless |
| Gisuke, the Father |
Steve Porter |
| Oyoshi, the Mother |
Toni Torres |
| Kichiji, the Servant |
Steven M. Porter* |
| Tosaku, the Neighbor |
Simon Anthony |
| The Priestess |
Aimie Billon |
| Suejiro, the Brother |
Daisuke Tsuji |
THE DRESSING ROOM written by
Shimizu Kunio
|
Actress A |
Vanessa Mizzone |
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Actress B |
Lindsley Allen |
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Actress C |
Beth Tapper |
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Actress D |
Angela Berliner, Riki Lindhome |
DESIGN TEAM
| Set Designer |
Sibyl Wickersheimer |
| Costume Design |
Ann Closs-Farley |
| Lighting Designer
|
Adam Greene |
CREW
|
Stage Manager
|
Eric Christensen |
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Photography
|
Ray Mickshaw
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Asst. Stage Managers |
Mary Eileen O'Donnell, Anna Sommer, Cat Williams |
PRODUCTION STAFF
| artistic director |
Tim Robbins |
| managing director |
Greg Reiner |
| director of
development |
Joel Kimmel |
| publicity |
Rebecca Gilchrist |
| box office manager |
Sienna McCandless |
| production/facilities
manager |
Mark Lewis/P. Adam Walsh |
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PRESS
DAILY news/news
I guess it's accurate to say the three Japanese
one-acts that make up the Actors' Gang's "Blood!
Lust! Madness!" do indeed touch upon those
particular subjects in roughly that order. They
cover quite a bit of other thematic territory as
well. And say what you will about the Gang's
politics, their work is never boring and often
arresting.
LOS ANGELES
TIMES
How cagey of the Actors' Gang to revisit "Blood!
Love! Madness!" at its new Ivy Substation venue.
Cagier still, director Brent Hinkley, some
superb designers and a brilliant cast attack
this 1992 omnibus of Japanese one-acts as
full-scale reconception, to mesmerizing effect.
DAILY BREEZE
After 20 years of presenting engaging, edgy
work, The Actors' Gang has become one of
Southern California's most respected theater
companies.
"Blood! Love! Madness!" marks a new chapter for
the company, because it's the first production
since moving from its longtime Hollywood home to
the historic Ivy Substation in Culver City -- a
venue used by the Center Theatre Group for the
past few seasons.
"Blood! Love! Madness!," a trio of one-act
plays, was first produced by the Gang in 1992,
though one of the plays has been replaced and
director Brent Hinkley has made several
conceptual changes.
LA Weekly
"Blood!
Love! Madness!"
Superlative stagecraft envelops Actors Gang’s
revival of this trio of Japanese one-acts, first
presented by the company in 1992. Bearing
disparate hints of Kabuki and Brechtian
presentational style.
BACKSTAGE WEST
"Blood!
Love! Madness!"
Those three words so succinctly describe the
human state, don't they? How pleasing, then, to
find universality in these three 20th century
Japanese plays (translator uncredited), directed
by Brent Hinkley to polished perfection.
Japanese style inspires but is not mimicked in
the magnificent work of the actors and the
design team. Scenic designer Sibyl
Wickersheimer, sound designer John Zalewski,
costume designer Ann Closs-Farley, lighting
designer Adam H. Greene, and prop designer
Victoria Robinson create a stunning, appealing
onstage world that beautifully blends Eastern
and Western elements.
VENTURA COUNTY STAR
Before the Los Angeles-based
Actors' Gang theater troupe was formed, Brent
Hinkley was -- like his Gang colleague Tim
Robbins -- a student at UCLA. Hinkley worked at
the school library and enjoyed breaks, not all
of them official, in a secluded corner where old
theater books were shelved.
A dusty volume that caught his eye one day was
called "Modern Japanese Plays," which he found
funny, because the book looked ancient.
"I don't think it had been checked out since
1925," Hinkley said. "I read it, and realized
that nobody really knows these plays."
The plays were written in the early 20th century
during a trend in Japan toward a more Western
style.
"I knew right away I wanted to work on these
plays," he said.
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